Cultural Coexistence and Women’s Authorship in Contemporary Music
At the colloquium of the Music Team of the Center for Modern Korean Studies held on February 20 at 2 p.m., two presentations addressed intercultural compositional practice and women’s authorship in music from transcultural perspectives. In the first presentation, Professor2026-03-06
Design Assets (Backgrounds & Logo)
2026-02-22
Typeface (Minsans)
2026-02-21
PPT&PPTX_Working Files
2026-02-11
2026 Winter Group Workshop
From February 6 to 7, 2026, the Contemporary Korea Research Group held a group workshop in Jecheon, Chungcheongbuk-do. The workshop was attended by Director Hyeong-Ki Kwon, the leaders of each research team, research assistants, and many participating researchers. Over the2026-02-09
Contemporary Korean Music — Where Does It Stand Today? Voices of Emerging Researchers
On February 5, 2026, from 2:00 to 5:00 PM, the “Contemporary Korean Music Research Network” seminar was held at Building 220, Room 202, Seoul National University, under the theme “Where Is Contemporary Korean Music Heading Today? — Perspectives of Emerging2026-02-06
Seminar Commemorating the Publication of the English Edition of The History of Korean Popular Culture (Chang-nam Kim): Korean Studies Research and Translation
On February 4, 2026, the seminar “Korean Studies Research and Translation,” commemorating the publication of the English edition of The History of Korean Popular Culture (Chang-nam Kim), was held at Young-one Hall in the Seoul National University Asia Center (SNUAC).2026-02-05
The 14th Theory Atelier: “Testimonies of Emotion, Montage of Symptoms”
<Overview> In Le Témoin jusqu’au bout: Une lecture de Victor Klemperer (2022; “The Witness to the End: A Reading of Victor Klemperer”), Georges Didi-Huberman examines what emotion is and how we might understand the language that bears witness to it.2026-01-23